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Was the same person in both photos? Or was one a copy of the other?
"To complete the cover-up, all that was left to do was to reconstruct the very same scene, using one of Hitler's doubles on the Berlin bunker floor, for the Russians to discover." |
Photographic Trickery
and the
Likelihood of Fraud
A blurred portrait is visible in the controversial photos of Adolf Hitler's "doppelganger suicide." In the picture above on the left, the out of focus portrait was placed directly onto the corpse. In the Russian movie footage frame on the right, the blurred portrait appears as a prop in the background. This change of position invites serious speculation that the body may also have been moved, switched, or meddled with between photos.
It was recently brought to our attention that the out-of-focus portrait on the corpse is actually a picture of the Fuhrer himself. (We previously suspected it may have been a photograph of Eva Braun.) The portrait is from a now-famous series of photos taken by Heinrich Hoffmann, who was Hitler's personal photographer and "corporate" image maker. Eva Braun was Hoffmann's model and darkroom assistant. Whoever included that portrait in the morbid bunker death scene as a means of identifying the corpse may have done so to lend authenticity to Hitler's suicide deception. But we think it casts a spotlight directly on Heinrich Hoffmann's delight for photographic trickery and the likelihood of fraud. The ridiculous presence of a Hoffmann poster exactly on Hitler's own dead body for the purpose of identification was almost an outright confession of photographic hocus-pocus, with some help from Eva Braun.
The World Was Lied to About Hitler's Death
The top right photo is how Hitler's suicide picture was shown in most reports. Visible parts of his white shirt (below the blue arrow) suggest that his vest-front was fastened or buttoned on the left side of his uniform. But according to western military dress regulations, the side-fronts of vests, shirts, and coats should be fasten with rows of buttons located on the right side of the male soldier's uniform. The confusing vest evokes the idea that the picture may have been intentionally printed in reverse from left to right, to mirror the image and misrepresent details of locality. The correct dress orientation is in the bottom photo. Printing negatives backwards is a trick used by portrait photographers to present desirable views because their subjects are accustomed to seeing themselves in mirrors. (See: photographer Hoffmann; assistant, Eva Braun.) |
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In a propaganda video released after the destruction of the World Trade Center, Muslim terrorist chief Osama bin Laden appeared to be wearing his watch on the wrong hand, and also upside-down. Another explanation is that the video images were mirrored in reverse to cover up details of bin Laden's secret bunker location. |
Although the Berlin bunker witnesses never mentioned it in their testimonies, there is a high probability that the successors of Nazism would have required an authentic image of Hitler's corpse before it was destroyed by fire. The photographic evidence would not have been intended for Allied investigators, but for remaining top-ranking Germans who would have certainly desired legitimate details of his death. Such admissible proof would need to serve two purposes: to convince Reich hardliners that Hitler was indeed dead, yet to also mislead the Allies in their inquiry, without failing lie detector tests. Therefore, at least one suicide picture may have been a genuine image of Hitler, not his double (or doppelganger). Photographic negatives, or exposed film in a camera, may have been intentionally left in the Berlin bunker for the Russians to discover. The photo would almost exactly match the movie film footage of Hitler's dead double, taken by the Red Army. |
While we know that one of Hitler's doppelgangers died in the Berlin Chancellery bunker, the real Adolf Hitler may have died elsewhere, perhaps even in the German Southern Redoubt, which was never found by the Allies. If so, an elaborate suicide cover-up would have been required for an important reason: To hide the true whereabouts of the Southern Redoubt, which according to some observers, was the secret site of Nazi nuclear weapons research. To conceal its location, it would have been necessary to spread a new propaganda myth that there never was a hidden mountain Redoubt, no Nazi nuclear weapons site, and the Fuhrer directed the war from his Berlin bunker, where he finally committed suicide.
An authentic image of Adolf Hitler's corpse was perhaps needed to circulate and inform escaped or imprisoned Nazi activists, while deceiving the Allied search. Here is where Hoffmann's photographic trickery came into play: the well-known Fuhrer's portrait was printed in reverse, as a mirror image from left to right, and placed on the body of the real Adolf Hitler laying dead on a floor, somewhere in the German Southern Redoubt. The corpse's death scene was then carefully photographed and also printed in reverse (duplicated on film). The Fuhrer's portrait on Hitler's body would now appear normal again; with its left and right appearance restored to the correct, original view. Although there would be a slight increase in image contrast, no one would suspect tampering. |
But the very small background details of the Southern Redoubt floor's surface would be seen the other way around, and not match properly with other Allied intelligence photos. An authentic photo of Hitler's death could thus be released for Nazis in custody and on trial to view and allude to as an absolute fact, without failing lie detector tests. But the details of the Redoubt killing floor would never be compromised or shown plainly to Allied investigators. To complete the cover-up, all that was left to do now was to reconstruct the very same scene, using one of Hitler's doubles on the Berlin bunker floor, for the Russians to discover. Of course, the Fuhrer's famous portrait would also be placed conspicuously among the bunker debris, as the misleading "clincher." Soon enough, the burnt remains of the real Adolf Hitler would turn up in the Chancellery garden, nowhere near the hidden Southern Redoubt.
Was the same person in both photos?
One of the Hitler suicide photos displays greater contrast and sharper focus than the other pictures. It may have been taken by a still camera with well-defined exposure settings and better lens quality than the photos which were printed from blurred Russian movie footage. The bunker room lighting contrast is not identical in both pictures below. In the well-defined photo (left), the shadows are dark enough to block out all details under the chin. But the Russian film frame photo shows softer shadows, allowing us to see skin tones and fabric textures in the shaded regions. If the Nazis did accomplish a Berlin suicide fake "mission" with near-microscopic precision, it would have probably been one of the most important, and expensive, cover-ups in history. Remarkably, the characteristic "Chaplin mustache" which Hitler was well-known for is not clearly discernible in either of the photos. Below are some other confusing points:
The missing mattress: In the well-defined photo (left), Hitler's corpse seems to be laying with his head at the corner of a stained mattress. But in the Russian movie film frame (right), the mattress is not visible. In other film scenes the mysterious dark stain appears to be coming from the side of a car tire. A portrait (of the Fuhrer) on Hitler's body in the left photo was moved to the background in the right frame. Perhaps the body, the camera, and other objects were also moved. |
Was one scene a reconstructed copy of the other?
The mutilated or cauliflower ear: The anatomical structure of the external ear changes from person to person. A doppelganger who may otherwise appear to be an exact look-alike of someone else will probably have noticeable differences in the elevated ring of cartilage on the external ear. The fleshy ear lobe may also display separate features. As a means of removing undesirable clues, the ear may have been mutilated to avoid comparison. In both photos, the ear seems thickened and deformed.
Although the same person seems to be in both frames, a white area next to the face in the right image is not present in the left frame. The body and/or camera may have been moved, with one scene recast to nearly identically resemble the other. |
After a close examination of the official Russian film footage, we must still remember that two different bodies were used to throw Allied investigations into disorder. One of the corpses was burned in the Berlin Chancellery garden, but we think that both were photographed in similar poses, with close-up details and background components that visually matched. We suspect that the cluttered, mixed up "background noise" in some scenes was actually carefully planned to resemble parts of shots taken from another setting.
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A war crime appears to
have been committed in the Lycabettus bunker.
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In the frame on the right, the corner of some light-colored, rectangular object(s) can be seen on the floor, just behind the back of the man's head. But the converging edges of this flat-sided object are not visible in the photo on the left. The reality of no floor object(s) seen in one picture makes us wonder (together with the missing bloodstained mattress) if the body (or bodies) may have been moved between photos. If a fake look-alike suicide mission was accomplished to mimic another scene, it appears that the corpse was carefully placed on the floor with near exact precision. This probably would have required some props and a team of photo-stylists to make sure each detail, including the folds of the coat-front and strands of hair, matched as much as possible. Various Reich military cameras were no doubt found on the Chancellery bunker shelves and in pieces of luggage. |
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There is no doubt among intelligence circles that the Berlin suicide pictures constituted an elaborate Reich hoax. But our theory is that it may have been a double hoax...
That is to say, two decoy bodies were left behind to facilitate the Fuhrer's escape. One was of the so-called look-alike Gustav Weler although recent reports state that it may not have been Gustav Weler after all. (Hugh Thomas's 1996 book Doppelgangers reports that Weler was indeed a Hitler lookalike but was located and interviewed by Allied forces after Hitler's death.) The other body, found burned in the Chancellery Garden, was that of the Pasewalk Hostage. To learn more about "extraordinary rendition" and the Pasewalk Hostage, please click here now. The bewildering question is this: If the man who died in the Berlin bunker was actually one of Hitler's doubles whose body was found and photographed by the Russian Army, then how did the real Adolf Hitler's corpse end up being burned in the Berlin Chancellery garden?
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Athens Bunker: Extraordinary Rendition?
A small ball of clay or soil, pressed around the foot of the chair, bewildered us. We later concluded that "feet of clay" were used to psychologically torture a hostage tied to the chair, who was probably ordered not to move, but to remain perfectly still and motionless at all times. Any movement of the chair would cause the clay lump to crumble and break into smaller fragments. The guards could then measure even the slightest movements that had occurred while they were not in the bunker, and punish the hostage accordingly. A hole in the seat of the chair may have been due to an act of extreme violence or a malicious experiment. I sent the photos to the local police department, but they arrived too late. When the authorities finally got there about a month later, I had been evicted and the evidence had already been removed.
What was a "ghost detainee" doing in the Kolonaki bunker? Was this a case of identity theft or extraordinary rendition? How long was the victim being held as a tortured hostage? How were the Nazis using the Kolonaki - Lycabettus district of Athens during World War Two? A war crime appears to have been committed in the Lycabettus bunker. But why are the authorities today not willing to discover who the victim actually was? |
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